Most investigators concur that certain facial expressions suggest the same emotions in a people. Moreover, people in diverse cultures recognize the emotions manifested by the facial expressions. In classic research Paul Ekman took photographs of people exhibiting the emotions of anger, disgust, fear, happiness, and sadness. He then asked people around the world to indicate what emotions were being depicted in them. Those queried ranged from European college students to members of the Fore, a tribe that dwells in the New Guinea highlands. All groups including the Fore, who had almost no contact with Western culture, agreed on the portrayed emotions. The Fore also displayed familiar facial expressions when asked how they would respond if they were the characters in stories that called for basic emotional responses. Ekman and his colleagues more recently obtained similar results in a study of ten cultures in which participants were permitted to report that multiple emotions were shown by facial expressions. The participants generally agreed on which two emotions were being shown and which emotion was more intense.
Psychological researchers generally recognize that facial expressions reflect emotional states. In fact, various emotional states give rise to certain patterns of electrical activity in the facial muscles and in the brain. The facial-feedback hypothesis argues, however, that the causal relationship between emotions and facial expressions can also work in the opposite direction. According to this hypothesis, signals from the facial muscles ("feedback") are sent back to emotion centers of the brain, and so a person's facial expression can influence that person's emotional state. Consider Darwin's words: "The free expression by outward signs of an emotion intensifies it. On the other hand, the repression, as far as possible, of all outward signs softens our emotions.' Can smiling give rise to feelings of good will, for example, and frowning to anger?
Psychological research has given rise to some interesting findings concerning the facial- feedback hypothesis. Causing participants in experiments to smile, for example, leads them to report more positive feelings and to rate cartoons (humorous drawings of people or situations) as being more humorous. When they are caused to frown, they rate cartoons as being more aggressive.
What are the possible links between facial expressions and emotion? One link is arousal, which is the level of activity or preparedness for activity in an organism. Intense contraction of facial muscles, such as those used in signifying fear, heightens arousal. Self-perception of heightened arousal then leads to heightened emotional activity. Other links may involve changes in brain temperature and the release of neurotransmitters (substances that transmit nerve impulses). The contraction of facial muscles both influences the internal emotional state and reflects it. Ekman has found that the so-called Duchenne smile, which is characterized by "crow's feet" wrinkles around the eyes and a subtle drop in the eye cover fold so that the skin above the eye moves down slightly toward the eyeball, can lead to pleasant feelings.
Ekman's observation may be relevant to the British expression "keep a stiff upper lip" as
A.curious
B.unhappy
C.thoughtful
D.uncertain
第2題
A.vexation
B.contemplation
C.lament
D.grumble
E.joy
第3題
A、peace
B、joy and fun
C、quietness
D、sadness
第4題
A、“Face with tears of sadness”
B、“Face with tears of joy”
C、“Face with tears of bitterness”
D、“Face with tears of fun”
第5題
A true friend indeed ______.
A.does find pleasure in our sadness
B.does share pity in our joy
C.is at our side always
第6題
It can be inferred from the passage that ________.
A.we must control our emotions in daily life
B.emotions play a more important part than we realize
C.positive emotions such as love and joy are good for us
D.negative emotions such as hate and sadness prevent us from rational thinking
第7題
It can be inferred from the passage that ______.
A.we must control our emotions in daily life
B.emotions play a more important pan than we realize
C.positive emotions such as love and joy are good for us
D.negative emotions such as hate and sadness prevent us from rational thinking
第8題
It can be inferred from the passage that ______.
A.we must control our emotions in daily life
B.emotions play a more important part than we realize
C.positive emotions such as love and joy are good for us
D.negative emotions such as hate and sadness prevent us from rational thinking
第9題
What we forget—what our economy depends on us forgetting—is that happiness is more than pleasure without pain. The things that bring the greatest joy carry the greatest potential for loss the disappointment. Today, surrounded by promises of easy happiness, we need someone to tell us that it is ok not to be happy, that sadness makes happiness deeper. As the wine-connoisseur movie Sideways tells us, it is the kiss of decay and mortality that makes grape juice into Pinot Noir. We need art to tell us, as religion once did, Memento mori: remember that you will die, that everything ends, and that happiness comes not in denying this but in living with it. It's a message even more bitter than a clove cigarette, yet somehow, a breath of fresh air.
第10題
第11題
Where do these ideas come from? Max Luscher from the University of Geneva believes that in the beginning life was dictated by two factors beyond our control: night and day. Night brought passivity, and a general slowing down of metabolism; day brought with it the possibility of action, and increased in the metabolic rate, thus providing us with energy and initiative. Dark blue, therefore, is the color of quietness and passivity, bright yellow the color of hope and activity.
In prehistoric times, activity as a rule took one of two forms: either we were hunting and at- tacking, or we were being hunted and defending ourselves against attack. Attack is universally re- presented by the color red; serf-preservation by its complement green.
In Luseher's view, the association of colors with feeling and attitudes can be traced back to______.
A.the association of day and night with passivity and action in ancient time
B.the association of black with funerals in western Europe
C.the association of white with purity in some countries
D.the association of red with joy in China
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